当然，这种带有强烈作秀性质的表演，在美国的商业与流行文化中屡见不鲜。华尔街、硅谷、好莱坞乃至超级碗的历史上，类似的公关笔笔皆是：WeWork创始人亚当·诺依曼在公司财务暴雷前夕砸重金办员工夏令营；埃隆·马斯克接管Twitter时抱着洗手槽；阿什顿·库彻和米拉·库尼斯的联合道歉视频；Coinbase豪掷千万美元买下超级碗黄金时段广告，但全屏只播放一个极简二维码；勒布朗·詹姆斯的电视直播《决定》……
The cultural side-effects were extraordinary. Bubble-era money funded some of the most ambitious, beautiful, and outright weird creative projects Japan has ever produced. Architecture, graphic design, magazines, vehicles, music, fashion, animation—everything was touched by the sense that budgets were infinite and ambition should match. It’s no coincidence that this period overlaps with the golden age of Japanese game development, or that Fuji TV was handing late-night airtime to young experimentalists, or that someone thought a four-hour TV program about Western computer games was a good idea.
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Москалькова заявила о новых условиях Киева для возвращения россиян с территории Украины14:51
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